If we end up looking at some text displayed in a system font other than Gotham, we’ll still be able to read and understand it. Since these use non-standard characters, the content of the page changes when they are not loaded. This all breaks when it comes to icon fonts. These are typically only for aesthetics and don’t really have a place in Opera’s plan to deliver the most web possible with the smallest footprint. In this context, it doesn’t make sense to download fonts. Opera claims the browser can reduce the size of pages by up to 80%. The magic of Opera Mini - and the reason it has such a large userbase - is that it uses compression to help squeeze more browsing into restrictive data plans. This is entirely anecdotal, of course, but statistics like this tend to manifest as at least one person I might come across in my daily life using the popular thing. Have you ever run into anyone who uses Opera Mini? I haven’t. This is difficult to believe for most web developers. (I used to link to the Opera Mini page where the company made this claim, but that no longer exists!) Much of this is due to the fact that Opera Mini, a browser which apparently ditches several beloved modern web standards has a massive userbase - 261 million according to Opera themselves. You can imagine how I may have felt over the past couple of weeks as stories began hitting the web about the fact that wide swaths of the Internet would not even see my icon fonts. This article is really old and probably won’t be relevant to you anymore.
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